17 June 2013

2012 'Essential Fire' Group Exhibition at Incinerator Gallery, Melbourne









Essential Fire here represents the innate drive to create, to express self, and a reflection on what that means to us. For my contribution to the group show I have created an installation comprising of a home made telescope and an oil-on-canvas painting. 

The image of a burning monk is simultaneously awe inspiring and terrifying. I am at awe because to do such a thing as calmly and peacefully must require an incredible inner strength. I am at awe when I reflect on the human ability to sacrifice self for an ultimate higher cause. I am terrified of the human ability to sacrifice self for a higher cause, especially when one considers the events of the recent decades where we have seen this power be used to horrific ends. After all, what defines a higher cause is incredibly vulnerable to interpretation. 

The image of the burning monk represents a fascination with human mind and spirit to me, its complexities, its beauty and its pitfalls. It is my essential fire, what I burn for. Painting this image is an act of a desire to understand what it is we are made of, as is the act of constructing a scientific instrument which at once enables the viewer to observe the image and hinders it by not allowing a full scale view. And so it is,  that even as we seek to understand things we become increasingly aware of all that is yet obscured. 
(Artist Statement, Mariana Jandova, 2012)

15 June 2013

2011 'Final Frontier' exhibition at Trocadero gallery, Melbourne












The infinite blackness of space embodies a deeply ingrained fascination for us. For millennia we have gazed at the night sky and pondered the existence of things much larger than ourselves. So what is it about us that causes such malady? Why do we dream of space travel?

We pay witness to a time where the initial excitement about the future of space travel has turned into a more sobering reality of funding issues, extreme technical challenges and the promise of lives yet to be lost to accident or sacrificed to the sheer time requirements involved in traversing this void to even our nearest neighbouring planets let alone to a possible life sustaining 'other' Earth light years away. As we are steadily running out of resources we are starting to question the need to invest vast amounts of energy into these programs. Can we really afford to keep this pace? At what cost? Can we afford not to? If we take into account the recent announcements by the scientific community that if we continue growing at the rate we currently are, as soon as 2030 Humanity will require 2 planets to support itself.


A tall unfinished copy of ARES 1 rocket launcher commissioned by NASA that would have seen the return of lunar exploration had it not been subsequently abandoned due to lack of funds stands alone in a darkened space. An abstracted play of light sourced from close-up shots of fireworks reminiscent of supernova cataclysms and birthing of stars creates the lighting for the launch tower in totality.
The fragile incomplete tower, placed on a black perspex reflecting its image like a dark mirror, is constructed out of thin sheets of soft balsa wood giving the appearance of balancing on the edge of collapse.
(excerpt from proposal, Mariana Jandova, 2011)