15 June 2013

2011 'Final Frontier' exhibition at Trocadero gallery, Melbourne












The infinite blackness of space embodies a deeply ingrained fascination for us. For millennia we have gazed at the night sky and pondered the existence of things much larger than ourselves. So what is it about us that causes such malady? Why do we dream of space travel?

We pay witness to a time where the initial excitement about the future of space travel has turned into a more sobering reality of funding issues, extreme technical challenges and the promise of lives yet to be lost to accident or sacrificed to the sheer time requirements involved in traversing this void to even our nearest neighbouring planets let alone to a possible life sustaining 'other' Earth light years away. As we are steadily running out of resources we are starting to question the need to invest vast amounts of energy into these programs. Can we really afford to keep this pace? At what cost? Can we afford not to? If we take into account the recent announcements by the scientific community that if we continue growing at the rate we currently are, as soon as 2030 Humanity will require 2 planets to support itself.


A tall unfinished copy of ARES 1 rocket launcher commissioned by NASA that would have seen the return of lunar exploration had it not been subsequently abandoned due to lack of funds stands alone in a darkened space. An abstracted play of light sourced from close-up shots of fireworks reminiscent of supernova cataclysms and birthing of stars creates the lighting for the launch tower in totality.
The fragile incomplete tower, placed on a black perspex reflecting its image like a dark mirror, is constructed out of thin sheets of soft balsa wood giving the appearance of balancing on the edge of collapse.
(excerpt from proposal, Mariana Jandova, 2011)